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Alexandre Mercereau, Paris, 22 October 1884 – 1945, was a French symbolist poet and critic associated with Unanimism and the Abbaye de Créteil. He founded the Villa Médicis Libre, which helped impoverished artists and operated as charitable reformatory for delinquent teenagers.〔(Kathryn Brown, ''The Art Book Tradition in Twentieth-Century Europe'', Ashgate Publishing, Ltd., 2013, p. 20 ), ISBN 1409420655〕 Mercereau's work inspired the revolutionary artistic movement of the early 20th century known as Cubism. ==Early life and career== Born Alexandre Mercereau de la Chaume, he signed his first texts Eshmer-Valdor, a pseudonym he quickly abandoned. In 1901, at sixteen years of age, Mercereau's first verses were published; poetry and criticism in ''Oeuvre d'art international''. In 1904 he co-founded the magazine ''La Vie'', where he became assistant editor, drama critic, and columnist.〔Jean Metzinger, ''Alexandre Mercereau'', a critical essay published in ''Vers et Prose'', 27 (October–November 1911)〕〔( Ernest Florian-Parmentier, ''Toutes les lyres, Anthologie-Critique des Poètes Contemporains )'', 1911, Paris, Gastein-Serge〕 In 1905 he published ''Les Thuribulums affaissés'', a book of verse that attracted much attention. At the same time, he co-founded the Association Ernest-Renan. In 1906 he organized the French section of Salon exhibition and literary review ''La Toison d'Or''.〔 In 1907 he published ''Gens de là et d'ailleurs''. From 1907 to 1908 he co-founded and participated in the experience of the Abbaye de Créteil, a collective open to artists. Mercereau organized exhibitions of French artists in Moscow, Saint-Petersburg, Kiev, and Odessa. After World War I he published a pamphlet, ''L'Abbaye et le bolchevisme culturel'' (published by Eugène Figuière), in which he denounced the attitude of Georges Duhamel and Charles Vildrac. From 1910 he co-directed with Paul Fort the Parisian literary review ''Vers et Prose''. In 1911 he created the literary section of the Salon d'Automne in Paris, called ''Comité d'initiative théâtrale'', consisting of public lectures by emerging authors at the Théâtre de l'Odéon. He subsequently co-founded the ''Revue indépendante'' and ''La Rue'', in addition to ''Vers et Prose''.〔 Mercereau was literary director at Jacques Povolozky & Cie publishing, director of Caméléon, a ''café littéraire'' in Montparnasse. In ''Histoire Contemporaine des Lettres Française de 1885 à 1914'' (Eugène Figuière), Ernest Florian-Parmentier writes "() M. Mercereau seems endowed with all the qualities that lead almost inevitably to success.〔(Éric Dussert, ''Alexandre Mercereau (1884-1945)'', ''La Littérature est mauvaise fille'' (L'Atelier du Gué), 2006 )〕〔(Ernest Florian-Parmentier, ''Histoire Contemporaine des Lettres Française de 1885 à 1914'' (Histoire de la Littérature Française de 1885 à nos jours), Eugène Figuière, 1914 )〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Alexandre Mercereau」の詳細全文を読む スポンサード リンク
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